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In the 2nd position, you will learn note locations one semitone higher than those in the 1st position. Keep a stable hand shape and use the first finger as your reference point while becoming familiar with these new notes.
This section also introduces more advanced technical and musical skills, including shifting and syncopation. By combining the positions you have learned so far, you will greatly expand both your playing range and your expressive possibilities. Once | 
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YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 15 - No. 1 - 2nd Position Only YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 15 - No. 2 - 2nd Position Only YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 15 - No. 3 - 2nd Position Only YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 15 - No. 4 - 2nd Position Only YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 15 - No. 1 - 1st and 2nd Position YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 15 - No. 2 - 1st and 2nd Position YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 16 - No. 1 - Review with Syncopation YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 16 - No. 2- Review with Syncopation YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 16 - No. 3 - Review with Syncopation YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |
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Page 17 - No. 4- Review with Syncopation YUMIKO HAYASHI | ์ฅ๋ฅด/์คํ์ผ: ๋ด์์ด์ง / ๋ด์์ด์ง | ๋ฐ๋งค์ผ: 2026.06.20 |